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Kathakali painting

Curated by Studio Moya
Rs. 1499
Product Details

A Kathakali figure, rendered in the leather puppetry tradition of Andhra Pradesh, gives this wall art its theatrical presence. Artisans from the puppeteer families of Nimmalakunta in Anantapur district work the hide the same way they build their Tholu Bommalata shadow puppets, with bold linework and saturated colour. The piece measures about 32 by 22 inches and can hold a feature wall alone. It reaches you through Studio Moya, and small variations between pieces are part of the hand work.

Art TypeLeather Puppetry
Dimension32X22X6
Materials & Care

Keep it away from direct sunlight and moisture to preserve its vibrant colors and delicate craftsmanship.
Clean gently with a soft, dry cloth.

Product Disclosure
SKUSM-LPWA-17
Style CodeSM-LPWA
HSN Code70139900
StateAndhra pradesh
Curated byStudio Moya

Each piece is handcrafted, so slight variations in colour, texture and dimension are natural and celebrate its handmade origin.

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Where it works best: At about 32 by 22 inches, this is a statement piece. Give it a wall it can command: above a sofa or sideboard, at the end of a hallway, or on the landing wall of a staircase. Hang it so the figure's face sits close to eye level, and resist the urge to crowd it, because the drama of a Kathakali figure works best with breathing room on every side.
Pairing and palette: The saturated reds, greens and ochres of leather puppetry work sit well on neutral walls: warm white, beige, grey or a deep charcoal that lets the colours burn. Pair it with plain-weave textiles and dark wood rather than busy prints. One piece per wall is enough.
Lighting the piece: Shadow puppets in this tradition were made to be seen with light behind them, and the craft rewards good lighting on a wall too. A warm picture light or an angled ceiling spot brings out the linework without flattening the colour. Keep it out of direct sun. Sunlight fades pigment on painted leather faster than it does on paper.
Everyday care in place: Moisture is the other enemy, so avoid bathrooms, kitchens and freshly painted damp walls. Dust gently with a soft, dry cloth. If the panel ever needs moving, hold it by the edges or mount, not by the painted surface.

The craft behind this piece is Tholu Bommalata, the leather shadow puppetry of Andhra Pradesh, kept alive by puppeteer families in Nimmalakunta village of Anantapur district. These families once travelled from village to village with lamp-lit screens, performing epics through the night. Wall art like this one is the same craft turned to a new use, letting the figures live on a wall instead of a screen.

It starts with the hide. The leather is cleaned, scraped and stretched, then dried until it is thin, stiff and pale, a surface that traditionally lets light glow through a finished puppet. Preparing it well takes days.

The figure comes next. The artisan draws the Kathakali form directly onto the prepared hide, working from a repertoire of theatrical characters that these families have rendered for generations. Kathakali itself is the classical dance-drama of Kerala, and its painted face, wide skirt and towering headgear give the artist a naturally dramatic subject. Nothing about the pose is accidental.

Colour goes on in flat, saturated fields, with the linework carrying the detail. Reds, greens, yellows and blacks dominate, applied so the figure stays bold at a distance and intricate up close. In the puppet tradition many pieces are also finely perforated so they sparkle against a lamp, and the same piercing often decorates wall pieces.

Finally the panel is trimmed and finished for hanging. Every stage is hand work, from hide to headgear. No two figures ever match exactly.

What is Tholu Bommalata leather puppetry?
Tholu Bommalata is the traditional leather shadow puppetry of Andhra Pradesh, in which figures are cut and painted on treated hide and performed against a lit screen. This wall art applies the same craft to a piece made for display rather than performance.
Where is this leather puppetry art made?
This leather puppetry art comes from Nimmalakunta, a village in Anantapur district of Andhra Pradesh known for its hereditary puppeteer families. The craft has been practised there for generations and now extends to lamps, paintings and wall decor.
Is this a Kathakali painting or a leather puppet?
It is a Kathakali figure painted in the leather puppetry manner, made as wall art rather than as a performing puppet. The subject comes from Kerala's dance-drama while the technique comes from Andhra Pradesh, which is what makes the piece unusual.
What does the Kathakali figure represent?
The Kathakali figure represents a performer of Kerala's classical dance-drama, recognisable by the painted face, elaborate costume and tall headgear. In Kathakali, colours and makeup signal character types, which is why the figures are so vividly coded.
What material is this painting made on?
The material of this painting is treated leather, the same prepared hide used for Tholu Bommalata shadow puppets. For the exact specification of this piece, check the specifications section on the product page.
How should I light and display this piece?
Display this piece on a neutral wall with a warm picture light or an angled spot, which brings out the linework the way lamplight flatters a shadow puppet. Keep it out of direct sunlight to protect the colours.
How do I care for leather wall art?
Care for leather wall art by keeping it away from direct sun, moisture and heat, and dusting it with a soft dry cloth. Never use water, sprays or polish on the painted surface.
Will the colours fade over time?
The colours will hold for years on an interior wall away from direct sunlight, which is the main cause of fading on painted leather. A shaded wall and gentle dusting are all the protection the piece usually needs.
Who made this piece?
This piece was made by artisan families of the Nimmalakunta leather puppetry cluster in Andhra Pradesh and is brought to you through Studio Moya. Individual makers are not named on the listing, so credit goes to the cluster as a whole.
Is every piece exactly the same?
No two pieces are exactly the same, because each one is drawn and coloured by hand on natural hide. Slight differences in line, shade and texture are the signature of the craft, not defects.

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