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Madhubani peacock Jhola Bag

Curated by Prayatna
Rs. 1140
Product Details

A single peacock sits at the centre of a Madhubani rosette on this cotton canvas jhola, ringed by lotus petals and a fan border of fine red-tipped strokes. The bird is worked small and dense, its body filled with the cross-hatching Mithila painters use instead of shading. The canvas is undyed, the handles are cotton webbing, and the base is boxed so the bag stands when you set it down. It holds a magazine, a bottle and the day's shopping.

MaterialCotton Canvas
Art TypeMadhubani
Dimension40X30X6
Materials & Care

slight variations in threadwork are part of its handmade appeal.
Avoid contact with water and perfumes. Spot clean with a soft, dry cloth.

Product Disclosure
SKUPR-MDHB-PK-02
Style CodePR-MDHB-PK
HSN Code42022220
RegionNoida
StateUttar pradesh
Curated byPrayatna

Each piece is handcrafted, so slight variations in colour, texture and dimension are natural and celebrate its handmade origin.

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What it carries: At roughly 40 x 30 cm with a boxed base, this is a full-size jhola rather than a token tote. It takes a 13 inch laptop in a sleeve, a one litre bottle, an A4 folder and a lunch box together, or a market run of vegetables and a loaf. The handles are long enough to go over a shoulder with a coat on. The top is open, with no zip and no button, so it is built for carrying rather than for securing valuables in a crowd.
Where it fits your week: It works as an everyday work bag, a market bag, a books-and-laptop bag on a commute, and a side bag on a train. It is not a going-out bag. Undyed canvas sits well with handblock cotton, khadi, linen and denim without arguing with any of them. The painted face is busy, so keep the rest plain and let the rosette do the work.
Daily use or occasion: This is a daily-use bag, not an occasion piece. The canvas will soften and crease with carrying, which is what canvas does, and the colour settles slightly in the first month. Both are normal. Keep it to lighter loads if you want it to stay crisp.
Care while you use it: Spot clean with a soft dry cloth and keep it out of the rain, since painted colour on untreated canvas is not waterproof. Do not machine wash it. Keep perfume and hand sanitiser away from the painted face, because alcohol lifts pigment faster than water does.
Redrawing the composition for a bag: Madhubani was made for walls first and paper later, both of them rectangular. The shape had to change. A bag panel is neither, so the composition here is rebuilt as a rosette: concentric rings that hold their shape when the canvas creases and when the handles cross the face. The peacock, which would fill a whole paper panel on its own, is reduced to a medallion at the centre with everything else arranged around it.
What canvas does to the line: Paper takes a fine nib cleanly. Canvas has a weave, and colour sinks into it and spreads along the threads, so the line has to be laid heavier and slower to stay even. You can see it in the black outlines on this bag, which sit thicker than they would on paper, and in the way the red dots along the outer border vary in size where the brush met a slub.
Building the rings outward: The centre medallion goes down first, then the petal ring, then the dotted band, then the outer fan of fine strokes with red tips. Each ring is drawn freehand against the last rather than measured, which is why the fan strokes are not identical in length. The peacock's body is filled with close cross-hatching in blue and orange, the Mithila alternative to shading.
Cutting and stitching the bag: The painted panel is cut with the rosette centred, then joined to a plain back panel over a boxed base so the bag stands up. Cotton webbing handles are topstitched down the full height of the front and back rather than only caught at the hem, which is what stops a loaded jhola tearing at the handle root. The top edge is folded and topstitched.
Finishing: Colour is mixed in small quantities, so no two panels carry the same weight of red. Small batches, small differences. A bag at this scale takes most of a day at the painting board before it reaches the stitching table.
What is a jhola bag?
A jhola bag is the Indian cloth shoulder bag, usually cotton, open at the top and carried on two long handles. The word is Hindi for a bag or sack, and the form was in daily use for shopping, books and travel long before the tote was marketed as an eco choice. This one keeps that shape in cotton canvas, with a Madhubani painting across the front.
Does this jhola bag have a zip?
This jhola bag has no zip, no chain and no button, which is the traditional open-top construction. That makes it quick to load and easy to use, but it is not the bag for carrying a wallet loose through a crowded market. Drop in a zipped pouch if you want your valuables closed off.
What fits inside a 40 x 30 jhola bag?
A 40 x 30 jhola bag takes a 13 inch laptop in a sleeve, a one litre bottle, an A4 folder and a lunch box at the same time. The boxed base means it holds its shape instead of collapsing into a sling when it is half full. For a market run it swallows a week of vegetables comfortably.
Is the Madhubani painted by hand or printed?
The Madhubani on this bag is painted by hand onto the cotton canvas rather than screen printed. You can see it in the varying weight of the black outlines and the uneven size of the red dots along the outer fan border. A printed version would repeat every one of those marks identically across a production run.
Can men carry this jhola bag?
This jhola bag is unisex, and the shape, the undyed canvas and the handle length work the same way for anyone. Jholas have been carried by men in India for generations, in classrooms, offices and markets. The only thing on it that could read as gendered is the motif, and a Madhubani rosette does not.
Will the colour run if it gets wet?
Colour on hand-painted canvas is not waterproof, so keep the bag out of heavy rain and never soak it. A few spots of water will dry off without a mark, but a soaking can soften pigment and move it into the surrounding weave. Carry it under a coat if you are caught out.
How do I wash a painted cotton canvas bag?
Do not machine wash a painted cotton canvas bag. Spot clean with a soft dry or barely damp cloth, working gently and staying off the painted rosette itself. Detergent, bleach and alcohol-based cleaners lift pigment far faster than plain water does.
Can it be carried on the shoulder?
The handles are long enough to carry on the shoulder over a shirt or a light coat, as well as in the hand. Cotton webbing grips better than a smooth strap and does not slide off as readily. Loaded heavily, flat webbing will press more than a padded strap would.
Where can I buy an authentic Madhubani jhola bag?
An authentic Madhubani jhola bag should name the artisan group and the state it came from, and this one does: it is painted and stitched by the Prayatna cluster in Uttar Pradesh. Look for hand-drawn irregularity in the border and a named maker rather than a generic handmade label. Most low-priced Madhubani-style bags are digital prints of one scanned artwork.
Why does it cost more than a plain canvas tote?
A plain canvas tote costs a few hundred rupees because it is cut, stitched and screen printed in a single run. Here a painter works the rosette onto each panel by hand before it reaches the stitching table, and that is most of the labour in the price. The canvas weight, the boxed base and the topstitched webbing handles account for the rest.
Does it work as a gift?
It works as a gift because the size is genuinely useful and the motif is not tied to anyone's taste in fashion. It suits a Diwali or housewarming present, a thank-you, or a corporate gift where you want something Indian-made and usable rather than decorative. It ships flat and there is no size to get wrong.
What do the motifs on this bag mean?
The motifs on this bag are a peacock at the centre, ringed by lotus petals and an outer fan border. In Mithila painting the peacock carries associations with love and the monsoon, and the lotus with purity and renewal, and the two are often set together in wedding compositions. The rosette arrangement itself echoes the aripan floor drawings made at thresholds during festivals.

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