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Go to the shopThrown and glazed in Khurja, the six-hundred-year-old ceramic town of Uttar Pradesh, this cylindrical planter carries the vivid hand-painted finish that gives the craft its name. The shape is clean and upright. It holds a single leafy plant, a herb, or a small succulent, and sits as easily on a work desk or a windowsill as on a balcony shelf, with exact size and drainage details listed in the specifications. A small, useful piece of a GI-tagged pottery tradition.
Store in a cool, dry place away from sunlight. Keep tightly sealed to retain freshness and crunch
Each piece is handcrafted, so slight variations in colour, texture and dimension are natural and celebrate its handmade origin.
This is a small planter, so it earns its place on the surfaces you look at every day. A work desk, a windowsill, a bookshelf, a kitchen counter, or a balcony ledge all suit its clean cylindrical shape. Its glaze reads brightest against a plain background and in good natural light, so a spot near a window flatters both the pot and the plant.
For what to grow, keep the scale in mind. A single upright plant works best here: a small succulent or cactus, a herb like tulsi or mint, or an easy foliage plant such as a money plant, snake plant, or pothos cutting. One well-chosen plant looks calmer than a crowded pot.
Drainage decides how you water it. Whether this planter has a drainage hole is listed in the specifications, since it varies by piece. If it does, stand it on a saucer to protect the surface below. If it does not, either grow the plant in a smaller nursery pot set inside this one, or add a shallow pebble layer at the base and water lightly, so roots never sit in water.
Glazed ceramic is happiest indoors or on a sheltered balcony. Check the specifications before leaving it in harsh sun or frost, both of which are hard on any glaze over time. Dust it with a soft cloth, and lift rather than drag it, since a knock against a hard edge can chip the rim.
Khurja pottery comes from Khurja in Uttar Pradesh, a town so dense with kilns it is called the Ceramics City of India. The craft is more than six hundred years old, and this planter is made the same way its tableware and tiles have always been.
The cylinder is shaped first from local clay, either turned on a wheel or formed in a mould, then dried and given a first bisque firing that hardens it into pale, porous ceramic. Next comes the part Khurja is known for. Artisans hand-paint the floral or geometric motifs and coat the piece in a glaze mixed from silica, feldspar, and mineral colour.
A second firing, close to 1200 degrees, melts that glaze into the glossy, vivid skin you see, sealing the colour to the clay so it lasts. Because the painting is done by hand, no two pieces carry exactly the same strokes. Khurja Pottery is a registered Geographical Indication, listed as item 178 under India's GI Act (ipindia.gov.in/gi), which ties this glaze-and-motif tradition to its home region.
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