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Go to the shopA set of round wooden discs, each hand-painted with a Madhubani motif from the folk tradition of Mithila, Bihar. The colour is laid down first in flat blocks, then the fine Madhubani linework is drawn over the top, so every coaster carries the dense, hand-made detail of the wall paintings in miniature. They sit under cups and glasses through an ordinary day, and they travel well as a gift. Small art for the table.
Each piece may vary slightly due to handcrafted processes. Handle with care. Clean according to material—spot clean fabrics, wipe ceramics with a damp cloth.
Each piece is handcrafted, so slight variations in colour, texture and dimension are natural and celebrate its handmade origin.
These coasters are made to be used, not just looked at. Slip one under a cold glass and it catches the condensation before it rings the table; set a hot cup on one and the wood takes the heat instead of your surface. Everyday duty suits them.
They pair easily. The folk motifs sit well with plain wooden tables and simple ceramic cups alike, and they bring a small jolt of colour to an otherwise quiet table setting. Keep the rest of the table understated and let the coasters be the detail.
There is an occasion side too. Brought out for guests, chai, or a small gathering, a hand-painted set reads as care rather than habit, and it tends to start a conversation about the craft. As a gift, it lands well for housewarmings and festivals.
Care is light but worth doing. Wipe each coaster with a soft, slightly damp cloth and let it air dry flat; do not soak it or leave it sitting in liquid, since standing water is hard on painted wood. Make sure they are dry before you stack them.
Keep them out of long direct sun. Strong light over months can dull hand-painted colour, so a shaded shelf or drawer between uses keeps the set bright.
A coaster begins as a plain round disc of wood, smoothed and readied so paint will sit evenly on the small surface. The motif is planned to fit the circle rather than a rectangle, so the composition is drawn to curve with the edge.
Then the colour goes down in blocks. Working in the Madhubani way, the painter fills the main shapes with flat fields of colour first, building the picture as areas before any detail. This is the groundwork the whole motif rests on.
Detailing comes last, and it is what makes it Madhubani. Over the dry colour the artist draws the fine outlines, the cross-hatching, and the small repeated marks that fill the gaps, so the little disc carries the same dense hand all the way to its rim.
Each disc is painted by hand by artists working in the Madhubani tradition of Mithila, so no two sets come out quite the same. A protective finish is usually added so the painted surface can take daily use. For the exact wood and finish, please see the product specifications.
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