Price :
QTY :
CART TOTALS :
There are items
in your cart
CART TOTALS :
With this products also buy:
Your shopping bag is empty
Go to the shop
White shadow work blooms across this pink stole, a Lucknow Chikankari layer light enough to forget you are wearing it, worked by artisans of the Safe Society cluster. The florals are shadow-stitched from behind. On the sheer cloth they read as soft shadows and fine openwork rather than heavy thread, so the stole stays airy over a kurta, a dress, or a plain tee. Easy to gift, easy to pack, easy to wear all summer.
Slight color and embroidery variations are natural, reflecting its handmade character. Hand wash separately in cold water with mild detergent. Do not bleach. Dry in shade and iron on reverse at low-medium heat.
Each piece is handcrafted, so slight variations in colour, texture and dimension are natural and celebrate its handmade origin.
Worn open over a plain kurta or a solid tee, the pink stole does the decorating for you. Let it hang loose down both sides for an easy daytime look. A tee, jeans, and this stole make a five-minute outfit that still looks considered.
Over a white or pastel kurta set it adds colour without a full dupatta. Drape it once around the neck and let the ends fall, or pull it across one shoulder like a light pallu. It suits office days and casual visits equally.
For a haldi or mehndi, a pink floral stole is a gentle stand-in for heavier dupattas: drape it over the head and bring it forward on one side for the cameras, belt a kurta and layer the stole loosely on top, or simply knot it at the throat and let the embroidered ends carry the look. It reads soft. The shadow work catches daylight, so it photographs well outdoors.
Because the weave is sheer and the jaali openwork is delicate, keep watches, rings, and rough bag straps clear of the ends. Fold it lengthwise for a slim drape, or wear it full width as a wrap on cool evenings. A gentle shake settles the folds, and ironing is rarely needed.
A stole is mostly air. The cloth is thin and see-through, which changes what embroidery can do here. On dense fabric the thread sits on top, but on a sheer stole the light passes through it, so the most prized Chikankari stitches are the ones that use that transparency. Two stitches do most of that work.
The first is bakhiya, the shadow work. The karigar embroiders on the back of the cloth, not the front, filling each petal and leaf from behind. On the right side the thread then reads as a soft, muted shadow rather than a hard outline, almost as if the flower were part of the weave itself. It is the stitch that gives Chikankari its quiet, blurred beauty.
The second is jaali, the net. Instead of cutting the cloth, the artisan pushes the threads of the weave apart with the needle and holds them open with tiny stitches. The result is a lattice of small windows you can see light through. On a stole held up to a window, the jaali is the detail people notice first.
The pink florals are built from these stitches with small knotted centres, and the stole is then washed and pressed so the work settles. A quick authenticity check is to turn it over. On genuine hand shadow work the reverse is where the filling lives, tidy and deliberate, while the front stays soft. Machine copies flip this and print the same face on both sides.
Be the first to review this product.
Shop handcrafted Chikankari kurtas, suits & dupattas from Lucknow artisans. 40+ traditional hand stitches on cotton, muslin & silk. Direct from craft clusters.
