Price :
QTY :
CART TOTALS :
There are items
in your cart
CART TOTALS :
With this products also buy:
Your shopping bag is empty
Go to the shop
A small metal elephant, finished in meenakari enamel and carrying a tiny ambabari, the royal seat that once rode in palace processions. Red, green and gold are set into the surface by hand, then fired. An elephant with its trunk raised reads as a sign of good fortune, which is why many keep one near the door to welcome it in. It sits easily on a shelf, a desk, or a festive tray.
Each piece is one-of-a-kind due to its handmade nature. Avoid moisture and harsh cleaning agents.
Each piece is handcrafted, so slight variations in colour, texture and dimension are natural and celebrate its handmade origin.
This elephant is a small piece. It shows best up close, not across a hall. Set it on an entrance console, a study desk, a living room shelf, or a festive tray. Its red and gold catch the light, so a spot with soft, indirect lighting lifts the enamel without the glare of direct sun.
In vastu, an elephant placed near the main door is treated as a guardian that welcomes good energy into a home while keeping harsher energy from settling, which is why one by the entrance is such a common sight in Indian houses. A single elephant facing inward is linked with focus and steady strength, so it suits a study or work desk. The raised trunk reads as prosperity flowing in. North or east is the usual side.
Keep it away from damp, since the enamel sits on a metal base that can mark over time. To clean, wipe gently with a soft, dry cloth. Avoid water, polish, and abrasive cleaners. Handled simply, it holds its shine for years and travels well as a gift for a housewarming, Diwali, or a new office.
Meenakari is the craft of fusing coloured enamel onto metal, a tradition carried by skilled enamel workers in Rajasthan and a handful of other centres across the country. It begins with a cast metal elephant, shaped and cleaned so the surface is ready to hold colour.
The artisan engraves fine grooves and small cells into the metal, tracing the motifs, the saddle, and the elephant's features so that every shade will later have its own boundary. Each cell is a tiny well. It holds one colour and stops it bleeding into the next.
Powdered enamel, ground from mineral pigment, is laid into the cells one shade at a time, and the piece returns to a kiln after each colour so the heat can melt the powder into glass that bonds to the metal. Red, green and gold go in turn. Each fires at its own point. The work is slow by nature.
Once the colour is set, the surface is rubbed back and polished until the enamel sits level with the metal. The gold on the tusks, ears, and ambabari is finished last. No two pieces are identical, because the engraving and filling are done entirely by hand. For the exact metal and enamel composition, see the product specifications.
Be the first to review this product.
Meenakari is a Mughal-era enamel art fusing colourful glass onto engraved metal surfaces, creating luminous jewellery, bowls, boxes, and decorative pieces with floral designs.
