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Go to the shopHand-embroidered Lucknow chikankari on a cotton A-line kurta with a structured collar. The floral motifs are worked in bakhiya and tepchi stitches by Safe Society karigars in villages outside Lucknow. The A-line cut falls from the bust without clinging, and the collar holds its shape through the weave of the base cloth alone. For exact fabric composition, see the product specifications.
Slight color and embroidery variations are natural, reflecting its handmade character. Hand wash separately in cold water with mild detergent. Do not bleach. Dry in shade and iron on reverse at low-medium heat.
Each piece is handcrafted, so slight variations in colour, texture and dimension are natural and celebrate its handmade origin.
Three Ways to Wear It
Keep earrings small and skip a dupatta. A structured tote and kolhapuri chappals finish the look without competing with the embroidery.
The collar reads clean enough for a brunch or a market run. This is the low-effort version that still looks intentional.
For this A-line collar kurta, the base is a mid-weight cotton selected by the Safe Society cluster in Lucknow. The fabric needs to meet two requirements at once: it must be light enough for the bakhiya shadow stitch to read through, and it must be firm enough to hold a collar without added stiffening. The hallmark of chikankari is that the embroidery shows as a soft shadow on the front while the actual stitching sits on the reverse.
Mulmul, the lightest muslin, would let the bakhiya glow but the collar would collapse. Georgette would drape beautifully but blur the stitch edges. A mid-count cotton strikes the working balance.
It filters light. It washes without pilling.
Once the cloth is cut and the garment panels shaped, the design is block-printed onto the fabric using a carved wooden block dipped in a washable blue dye called neel. This blue guide marks every motif position, every stem, every leaf cluster. The karigar follows this map, stitch by stitch, sometimes working a single motif cluster for an entire afternoon before moving to the next section of cloth on the frame.
The stitching takes the cloth to a frame. For this kurta, the primary stitches are bakhiya (shadow work, stitched from the wrong side so the motif appears as a diffused pastel on the front) and tepchi (a running stitch that outlines stems and borders). Some murri knots, small and rice-shaped, may appear at flower centres depending on the specific piece.
A single kurta passes through the hands of one or two karigars over two to four weeks of part-time work. The women who stitch are home-based workers in villages around Lucknow, organised through Safe Society, a cooperative that connects them to the market.
After embroidery, the piece is washed to dissolve the blue neel guide. What remains is thread on cloth, the shadow and the texture. No printed lines, no chemical residue. The embroidery stands on its own.
Lucknow Chikankari holds a Geographical Indication tag registered in 2008 (ipindia.gov.in/gi), recognising the hand-embroidery tradition of the region.
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