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Chikankari Flounce Top

Curated by Rang Aur Reet
Rs. 1680
Product Details

The flounce top is Chikankari's contemporary chapter. The white-thread embroidery that once decorated Mughal-court angarkhas now travels across a Western silhouette: a fitted bodice, a flared flounce hem, neat shoulders, and the same Lucknow stitch vocabulary running through it. Hand-worked across the yoke and trailing into the flounce. A piece for a city dinner, a weekend brunch, or an office that lets you wear what you love.

For exact fabric composition, sleeve length, and dimensions, see the specifications.

MaterialChanderi
Art TypeChikankari
Dimension40X30X6
Materials & Care

Slight color and embroidery variations are natural, reflecting its handmade character.
Hand wash separately in cold water with mild detergent. Do not bleach. Dry in shade and iron on reverse at low-medium heat.

Product Disclosure
SKURR-CH-07-01
Style CodeRR-CH-07
HSN Code61059000
RegionLucknow
StateUttar pradesh
Curated byRang Aur Reet

Each piece is handcrafted, so slight variations in colour, texture and dimension are natural and celebrate its handmade origin.

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Chikankari flounce tops want a clean foundation. The embroidery is the texture. Let the rest of the outfit hold quiet.

For office or daytime wear, pair the top with straight-leg trousers in cream, ecru, or soft khaki, finished with ballet flats or low-heel mules. A delicate gold chain, or pearl studs, completes the look without competing.

If the top is white-on-white, an unstructured linen jacket in a contrasting earth tone (rust, olive, charcoal) anchors it for cooler offices or air-conditioned afternoons.

For a city dinner or evening event, switch to a high-waisted tailored trouser in a richer hue (deep navy, oxblood, dark indigo) and dressier sandals or block heels. A small statement earring such as a chandbali, an oxidised silver jhumka, or a single pearl drop works better than layered necklaces, since the flounce already adds movement at the hem. Keep one strong accent. Lipstick or shoe colour, not both.

For weekend or fusion wear, the top pairs equally well with high-rise jeans, a pleated mid-skirt, or wide-leg palazzo trousers. This is the silhouette's strength. Chikankari was historically embroidered for kurtas and dupattas, and the flounce top translates the same handwork to outfits that move easily across cultures and dress codes.

Care while wearing: keep perfume away from the embroidered yoke, since alcohol-based sprays yellow cotton over time. Avoid heavy bags worn cross-body across the embroidered shoulder. The hand-stitched threads will show small irregularities up close, especially on the underside (called the shadow side). That is the karigar's signature, not a defect.

Chikankari is a Mughal-court inheritance. The embroidery's name comes from chikan, a Persian word for a kind of cloth-decorating work, and its earliest documented practice in India is in the seventeenth-century Mughal court. The traditional attribution credits Nur Jahan, the empress and wife of Jahangir, with introducing or refining the embroidery; whether or not the legend is literal, the craft was rooted in Persian needlework and adapted to the lighter cotton and mulmul of north Indian summers.

When the Mughal court declined and Awadh was absorbed into colonial rule in the eighteenth century, Chikankari moved with the displaced karigars to Lucknow, where it found a new patron base in the Nawabs and then in the colonial-era markets. Lucknow became the centre it remains today.

The flounce top sits at the latest layer of that lineage. The same Persian-rooted stitches are being worked onto a Western silhouette, by the same Lucknow karigar families (often women-led cottage groups) who would have stitched a kurta for an Awadhi noble two centuries ago.

The process. The fabric is cut to pattern (bodice, flounce, sleeves). A blue neel pattern is hand-block-printed onto the white cotton or georgette, mapping where each motif will sit. The embroidery is then worked by hand across yoke, flounce, and any panel detail, using a vocabulary of around thirty named stitches (tepchi, bakhiya, phanda, hool, jaali, murri, among others).

A wash removes the blue print and softens the cloth. The pieces are then stitched into the finished garment.

The Lucknow Chikan Craft holds Geographical Indication status (registered 2008, ipindia.gov.in/gi), covering hand Chikankari practised in and around Lucknow district.

What is Chikankari?
Chikankari is a Lucknow hand-embroidery tradition with Persian roots and a Mughal-court history, worked with white (and occasionally coloured) thread on cotton, mulmul, georgette, and other lightweight fabrics. The word comes from chikan, a Persian term for cloth-decorating work, and the embroidery uses a vocabulary of roughly thirty named stitches.
In which state is Chikankari famous?
Chikankari is famous in Uttar Pradesh, with Lucknow as its undisputed centre. The craft has been practised there since the Mughal court influence shifted to Awadh in the early eighteenth century, and the modern industry remains anchored in Lucknow and its surrounding villages.
Is Chikankari GI-tagged?
Lucknow Chikan Craft (Chikankari) is registered as a Geographical Indication of India in 2008, listed at ipindia.gov.in/gi. The GI covers hand Chikankari practised in and around Lucknow district; whether any specific piece falls within the protected scope depends on where it was embroidered.
What fabric is the Chikankari flounce top made from?
Chikankari flounce tops are typically made from soft cottons (cambric, mulmul, voile), georgette, or modal blends, chosen so the embroidery sits well against the body and the flounce drapes naturally. The exact fabric composition for this piece is recorded in the product specifications.
How can I tell real hand Chikankari from machine embroidery?
Real hand Chikankari shows small irregularities in stitch length and motif placement, and the back of the garment carries the shadow side, where stitches like bakhiya are worked from behind and read differently than the front. Machine Chikankari is mechanically uniform on the front and usually shows bobbin threads or fused tear-away backing on the reverse.
How do I care for a Chikankari flounce top?
A Chikankari flounce top should ideally be dry-cleaned for the first few washes, then hand-washed gently in cool water with mild detergent. Never wring or scrub the embroidered areas. Iron from the reverse side at a low setting, with a thin pressing cloth between the iron and the embroidery.
What occasions is a Chikankari flounce top suited for?
A Chikankari flounce top works for office wear with tailored trousers, weekend or brunch wear with jeans or a midi skirt, and city dinners with high-waisted trousers and statement earrings. The silhouette is contemporary enough for non-traditional settings, while the embroidery carries the heritage signal.
Who makes the Chikankari at MyEhaat?
The Chikankari pieces come from the Safe Society cluster based in Lucknow, working with the city's traditional artisan families (predominantly women-led cottage groups) who carry the embroidery practice through generations. Specific maker attribution for any piece is held at the cluster level.
How long does it take to make a Chikankari flounce top by hand?
A hand-embroidered Chikankari flounce top typically takes three to eight weeks of stitching work, depending on motif density, the variety of stitches used, and the size of the embroidered area. Heavier designs at the yoke and flounce edge extend the timeline further.
Why is hand Chikankari priced higher than machine alternatives?
Hand Chikankari sits at a higher price point than machine-embroidered alternatives because each motif is stitched individually over weeks of work by skilled artisans. The Lucknow Chikan Craft GI exists in part to protect this distinction from machine reproductions sold under the same name.

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