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Go to the shopCotton empire-line dress with hand-embroidered floral motifs across the bodice, stitched by Rangsutra artisan women in Rajasthan. The waistline sits high, just below the bust, and the A-line skirt falls free from there without clinging at the hip or thigh. Breathable cotton, built for Indian summers. See specifications for exact fabric composition and size measurements.
Crafted from breathable cotton with fine embroidery Avoid bleach and harsh detergents, and dry in shade to preserve quality
Each piece is handcrafted, so slight variations in colour, texture and dimension are natural and celebrate its handmade origin.
Three ways to wear this empire-line dress, each built around its high waistline and the free fall of the skirt below it.
For a weekday office look, keep accessories minimal. Flat tan sandals or white sneakers, a structured tote in a neutral shade, and small studs at the ear. The cotton breathes through long commutes and crowded metros. Let the embroidered bodice do the talking.
For brunch or a weekend outing, add a woven jute belt right at the empire seam to define the line, then pair with kolhapuri chappals and a crossbody sling bag in leather or jute that picks up the earthy tones of the embroidery. Layer a thin dupatta over one shoulder if the air conditioning runs cold.
Festive occasions call for a different pairing altogether: embroidered juttis, oxidised silver jhumkas, and a handcrafted potli bag carried at the wrist. A thin gold chain sits well against the neckline without competing with the bodice threadwork. Skip the belt.
On fit and frame, the empire cut lifts the visual line to the narrowest point below the bust, which flatters most body types because the skirt does not cling at the waist or hip. If the dress runs slightly loose, the belt trick at the empire seam creates definition without tailoring. Check the size chart for length and bust measurements before ordering.
Cotton creases. A quick steam in the morning sets the dress for the day. Spot-clean any food spill before it dries, and avoid long stretches of direct midday sun, which can gradually fade the embroidery thread.
This dress comes from a Rangsutra workshop cluster in Rajasthan. Women artisans stitch the embroidery entirely by hand before the garment is cut and assembled. Every piece moves through five stages from raw fabric to finished dress.
The process starts with cotton base fabric, mill-spun, pre-washed, and pre-shrunk to prevent post-purchase distortion. It is laid flat and marked for cutting.
Before cutting begins, the embroidery panel is traced. A paper stencil carrying the floral motif layout is pressed onto the bodice section. This is the embroiderer's map. She follows it freehand.
Then comes the longest and most painstaking stage: hand embroidery. Stem stitch outlines leaves. Satin stitch fills petals, and small French knots anchor the centre of each flower, one after another, across the entire bodice panel over the course of a full working day. Thread colours are matched to the base fabric shade.
Once embroidery is complete, the fabric moves to the cutting table. Pattern pieces for the empire-line silhouette are cut: the fitted bodice above the seam, the gathered A-line skirt below. This high waistline seam is the structural joint of the garment.
The final tailoring stage joins bodice to skirt at the empire seam, finishes the neckline, binds raw edges, and attaches closures. Threads trimmed. The final press and quality check confirm stitch tension, motif alignment, and overall symmetry of the embroidered bodice before the dress is folded for packing.
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