Price :
QTY :
CART TOTALS :
There are items
in your cart
CART TOTALS :
Your shopping bag is empty
Go to the shopAn off-white cotton stole carrying Lucknow chikankari embroidery, light enough to drape over a saree and substantial enough to wear as a summer wrap. The off-white ground is the canonical chikankari finish: the colour the cloth settles into after the blue neel print is washed away and only the embroidery remains. Hand-embroidered by women artisans of the Safe Society cluster in Lucknow, the home of the GI-tagged craft.
Slight color and embroidery variations are natural, reflecting its handmade character. Hand wash separately in cold water with mild detergent. Do not bleach. Dry in shade and iron on reverse at low-medium heat.
Each piece is handcrafted, so slight variations in colour, texture and dimension are natural and celebrate its handmade origin.
Three ways to wear.
As a layering piece over Indian wear. Drape lightly across one shoulder over a plain handloom kurta, a Mangalagiri cotton saree, or a solid linen tunic. The off-white reads as a quiet companion to colour rather than competing with it, which is exactly what a chikankari piece is designed to do. For a festive note, pair with small jhumkas and a kohl line; for a daytime look, leave the rest minimal.
With Western wear. Loop it once around the neck over a denim shirt or a plain crew tee for the everyday version. As a longer wrap, throw it over the shoulders with a silk camisole and trousers for an office-to-evening transition. The cotton holds a soft fold, so the drape stays where you put it instead of slipping.
As a summer wrap or head cover. The stole length doubles as a light shawl on overly air-conditioned days, a head cover at a dargah or temple, or a beach cover-up that does not look like beach gear. Cotton breathes, so it stays comfortable in Indian summer warmth.
Fit notes. A stole is narrower and longer than a dupatta; it is built to be worn rather than to anchor an outfit set. Tall and statuesque frames carry the full length elegantly with both ends loose; petite frames look balanced with one end tossed back over the shoulder.
While wearing. Take the stole off before applying perfume and let scent dry on the skin first, since alcohol can dull the soft hand of cotton. Avoid hooking the embroidery on rings, watch buckles, or a bag zip; the hand-stitched threads sit slightly raised and can catch.
Why the off-white matters.
Chikankari is hand-embroidery worked on a printed guide. A faint blue pattern is block-printed onto the cotton in a water-soluble pigment called neel, the embroiderer follows the blue lines stitch by stitch, and at the end the whole piece is washed so the blue print disappears and only the white thread remains. The off-white ground colour of this stole is the colour that emerges from that final wash; it is the canonical Lucknow chikankari finish.
The sequence behind the stole.
The block print. A wooden block carved with the floral pattern is dipped in neel, a fugitive blue dye, and printed onto the cotton stole length. The print is the map; without it no two pieces in a batch would match.
Distribution to embroiderers. The printed stole travels to artisan homes across Lucknow and its surrounding villages. Different stitches are often worked by different specialists. A piece with bakhiya shadow work and phanda knot fills may pass through several hands before it is complete.
The stitching. Embroiderers work the white thread over the blue lines in chain, satin, knot, and shadow stitches. The bakhiya shadow stitch is worked from the reverse of the cloth so that only the soft outline shows on the front. This is what gives chikankari its watercolour-soft look.
The wash. The finished stole is hand-washed in cold water with a mild solution. The neel rinses out completely, the cotton softens, and the embroidery is what is left. If you look closely at the inside seams of a real chikankari piece, you will sometimes still see a faint trace of blue caught in the weave; that trace is a quiet authenticity tell.
Finishing. The stole is sun-dried in shade, gently pressed, and inspected. Slight unevenness in the spacing of the motifs is a sign of a handmade piece, not a flaw.
Be the first to review this product.