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Go to the shopA small round pot of West Bengal terracotta, hand-painted by artisans and poured with wax so it lights like a candle rather than an oil lamp. No oil to fill, no batti to trim. One pot wears fine gold dotted lines around a tiny star, finished by hand so no two are quite alike, and it glows low and warm the way a diya should. Set it out for Diwali or a pooja shelf, and when the wax is spent, keep the painted pot as a tiny dish, because the clay is made to outlast the flame.
Store in a dry place when not in use to preserve its natural texture Handle with care. Wipe with a soft, damp cloth. Avoid harsh chemicals and prolonged direct sun exposure.
SKU: SM-TCDY-RO-01Style Code: SM-TCDY-ROHSN Code: 97030000Region: West bengalState: West bengal
Curated by Studio Moya
Each piece is handcrafted, so slight variations in colour, texture and dimension are natural and celebrate its handmade origin.
The Round Diya is a wax candle in a hand-painted terracotta pot, so it settles anywhere a small flame is welcome. Its low, rounded shape sits flat and steady, which makes it easy to line along a Diwali table, a windowsill, or the edge of a rangoli. Group several together and the painted pots read as a set even before you light them.
In a pooja corner the round form pairs naturally with brass and steel. Rest it on a heat-safe plate rather than bare wood or cloth, because the terracotta warms a little as the wax burns. The painted surface is meant to be seen, so give each pot a spot where the gold dots or scrollwork catch the light.
Burn it on a level surface, away from curtains and moving air, and trim the wick to about a centimetre before each use. Never leave a lit candle unattended. Once the wax has burned down, wipe the pot clean and keep it as a spice pinch-pot, a ring dish, or a rest for incense. That reuse is the point of buying clay over a throwaway light.
This diya starts as clay, not wax. Artisans working with Studio Moya in West Bengal shape terracotta into a small round pot, then dry and fire it so the earth hardens to its warm brick tone. Terracotta simply means baked earth, and Bengal has one of India's oldest clay traditions, the same craft base that sits behind the region's potters and idol-makers.
Once fired, each pot is hand-painted. One carries gold dotted lines circling a small star; another wears fine white scrollwork. The lines are laid by hand, so the spacing and the exact motif shift slightly from pot to pot. The hollow is then poured with wax and a cotton wick is centred while the wax is still soft.
Nothing is machine-stamped. The rounding, the painting, and the pour are all done by hand, which is why small differences between pots are the honest sign of the maker.
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