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Three slim brass bands sit side by side on an open cuff, shaped to slip over the wrist and hold. The warm golden tone is brass in its natural finish, not plating, so the colour runs right through the metal. It is light on the arm.
Worn alone it reads as a clean, modern line, and stacked with a watch or a few thin bangles it adds a warm note without crowding them. An open back lets you ease the fit to your own wrist.
Solid brass, handmade and built to last. Keep away from water and perfume to slow tarnishing. Wipe with a soft dry cloth; a light patina is natural and can be polished back if you prefer the brighter finish.
SKU: EH-BRCF-TP-01Style Code: EH-BRCF-TPHSN Code: 97030000Region: SambhalState: Uttar pradesh
Curated by My Ehaat
Each piece is handcrafted, so slight variations in colour, texture and dimension are natural and celebrate its handmade origin.
This cuff is built to be seen, so give the wrist some space. Worn on its own against a bare forearm, the three brass bands read as one clean line, which suits an office day in a plain shirt or a linen kurta. Push a sleeve back to let it sit on the wrist bone where a cuff is meant to rest.
For a festive look with a kurta or saree, stack it low with two or three thin brass or glass bangles on the same arm. Keep them narrower than the cuff so it stays the anchor of the stack. A short or three-quarter sleeve shows the grouping best.
For evening, wear it alone over a solid-colour outfit and let the warm brass carry the look. Black, deep green, rust, and cream all set off the golden tone. Let it lead. Skip busy prints on the same arm, since the cuff is the statement here.
Stay with one metal family on the wrist. Brass sits well beside other warm tones like gold or copper, but mixing in bright silver pulls the eye in two directions. On the opposite hand, a watch is fine and balances the cuff without competing.
Slide the cuff on over the fleshy part of the wrist rather than forcing it over the wrist bone, and store it away from other metal pieces so the surface stays smooth.
A brass cuff like this begins as plain metal, not as a finished shape. Brass is an alloy of copper and zinc, valued across Indian metalwork for taking a bright golden finish and holding a form once it is set. For an open cuff, the metalworker starts from brass that is cut and drawn to the slim, even profile each of the three bands needs.
The three bands are the defining step. Here the work slows. They are shaped so they run parallel and sit level against each other, then worked together into one piece with a clean, consistent gap between them. Getting that spacing even by hand, along the whole length, is the skill the piece is judged on.
Next the flat length is bent into the open cuff curve. It is shaped over a rounded form to the oval of a wrist, with the small sprung opening at the back that lets the cuff slip on and grip rather than clasp shut. Too tight and it will not pass the hand, too loose and it slides, so the curve is eased by eye.
The ends are then filed smooth and rounded so nothing catches the skin, and the whole surface is polished by hand until the brass shows its warm yellow shine. Each cuff is finished by hand, which is why no two sit on the wrist in quite the same way. That is the point.
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Sambhal brass craft is a historic metalwork tradition from the Mughal era. Artisans shape, engrave, and polish brass to create intricate pieces with a smooth, golden finish.
